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Claudius shows his ability to act in ordering that Hamlet be sent away immediately (L29-30). Act 4 Scene 2. Hamlet refuses to tell Rosencrantz and Guildenstern where the body is and accuses them of trying to please the king for their own aims (L15-L16).Start studying Hamlet Act IV. Learn vocabulary, terms and more with flashcards, games and other study tools. Hamlet Himself From now on if my thoughts are not violent, I'll find them worthless. He is set on killing Claudius and nothing will stop him.Claudius that Hamlet is "mad as the sea and wind when both contend / Which is mightier" and killed Polonius (lines 7 & 8). A) Did she betray Hamlet? Ms. Kizlyk - AP Language Semester 2 Act 4, Scene 3 8) In lines 1 - 11 Claudius speaks to a few of his men about Hamlet.Claudius refers to the belief in God's protection of kings when, in Act IV scene v, he is confronted by the furious Laertes, whom Gertrude tries to hold off By putting these words in Claudius's mouth, Shakespeare makes us aware of at least part of the dilemma facing Hamlet: should he 'kill a king', the...Claudius acts as king, and has the body of kingship, but the act of king doesn't rightfully belong to Claudius. Why is it that Claudius believes Hamlet is popular with the people. What does Claudius mean when he says "diseases desperate grown by desperate appliance are relieved, or not at all?"

Hamlet Act IV Flashcards | Quizlet

William Shakespeare's Hamlet follows the young prince Hamlet home to Denmark to attend his father's funeral. Hamlet is shocked to find his mother already remarried to his Uncle Claudius, the dead king's brother. And Hamlet is even more surprised when his father's ghost appears and declares that he...Hamlet is Shakespeare's most popular, and most puzzling, play. It follows the form of a "revenge tragedy," in which the hero, Hamlet, seeks vengeance against his father's murderer, his uncle Claudius, now the king of Denmark. Much of its fascination, however, lies in its uncertainties.Hamlet. Please see the bottom of the page for full explanatory notes and helpful resources. ACT IV SCENE VII. Another room in the castle. KING CLAUDIUS. Now must your conscience my acquaintance seal, And you must put me in your heart for friendIn act 4, scene 7 of Shakespeare's Hamlet, Claudius tells Laertes that the reasons he didn't take action against Hamlet for killing Laertes's father, Polonius, are that he didn't want to do anything to upset Hamlet's mother Gertrude and that the people so love Hamlet that they might turn against...

PDF Act 4 Scene 7 24) Claudius has convinced Laertes that Hamlet killed...

Claudius was highly manipulative because he tried to coax Laertes that he was not responsible for the death of Polonius. Claudius was trying to absolve himself of the killing by convincing Laertes that he wasn't the In act 4 of hamlet Claudia's interactions interaction with brainly.com/question/11266239.Read Act IV, scene i from the story Hamlet by WilliamShakespeare (William Shakespeare) with 2,115 reads. classic, shakespeare, classics. KING CLAUDIUS. O Gertrude, come away! The sun no sooner shall the mountains touch, But we will ship him hence: and this vile deed We must, with all our...Hamlet. Act IV, scene vii. Elsinore Castle: a chamber in the castle. [Enter KING CLAUDIUS and LAERTES.] KING CLAUDIUS: Break not your sleeps for that. You must not think That we are made of stuff so flat and dull That we can let our beard be shook with danger And think it pastime.Hamlet Act 4 Scene 7. William Shakespeare. Claudius forms an alliance with Laertes, who has learned that Hamlet killed Polonius. A messenger arrives with a letter from Hamlet, in which the prince mockingly informs…Enter King Claudius, Queen Gertrude, Rosencrantz, and Guildenstern. King Claudius. There's matter in these sighs, these profound heaves: You must translate: 'tis fit we understand them. Where is your son? Queen Gertrude. Bestow this place on us a little while.

Summary: Act IV, scene i

Frantic after her disagreement with Hamlet, Gertrude hurries to Claudius, who is conferring with Rosencrantz and Guildenstern. She asks to speak to the king by myself. When Rosencrantz and Guildenstern exit, she tells Claudius about her encounter with Hamlet. She says that he is as mad as the sea throughout a violent storm; she additionally tells Claudius that Hamlet has killed Polonius. Aghast, the king notes that had he been hid at the back of the arras, Hamlet would have killed him. Claudius wonders aloud how he will be able to handle this public disaster without harmful his grasp on Denmark. He tells Gertrude that they will have to ship Hamlet to England directly and have the ability to explain Hamlet's misdeed to the court docket and to the folks. He calls Rosencrantz and Guildenstern, tells them about the homicide, and sends them to find Hamlet.

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Summary: Act IV, scene ii

Elsewhere in Elsinore, Hamlet has simply completed disposing of Polonius's frame, commenting that the corpse has been "safely stowed" (IV.ii.1). Rosencrantz and Guildenstern appear and ask what he has executed with the frame. Hamlet refuses to offer them a straight resolution, instead saying, "The frame is with the king, but the king is now not with the body" (IV.ii.25–26). Feigning offense at being puzzled, he accuses them of being spies in the provider of Claudius. He calls Rosencrantz a "sponge . . . that soaks up the king's countenance, his rewards, his government," and warns him that "when he needs what you may have gleaned, it is however squeezing you, and, sponge, you will probably be dry once more" (IV.ii.11–19). At ultimate he is of the same opinion to allow Rosencrantz and Guildenstern to escort him to Claudius.

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Analysis: Act IV, scenes i–ii

The brief first scene of Act IV centers round Gertrude's betrayal of her son, turning him in to the king after having promised to lend a hand him. While she does keep her promise not to expose that Hamlet was once only pretending to be insane, the fast and frank method in which she tells Claudius about Hamlet's habits and his homicide of Polonius implies that she sees herself as allied to the king fairly than to her son. Whether Gertrude really believes Hamlet to be mad, or has merely identified that her very best passion lies in allying herself with Claudius regardless of what she believes, is not possible to decide from this scene and is largely a question of one's private interpretation of the events. Whatever the case, it is Gertrude's speech to Claudius that cements the king's secret plan to have Hamlet completed in England.

As temporary as it is, Act IV, scene i is a powerful example of Shakespeare's ability at growing characters, illustrated through the sophisticated construction of Claudius. Where most of the opposite male characters in the play, together with Hamlet, King Hamlet, Laertes, and Fortinbras, are obsessed with themes of honor, moral balance, and retributive justice, Claudius is a egocentric, ambitious king who is extra concerned with keeping up his own energy and avoiding political danger than achieving justice thru his rule. His reaction to Gertrude's revelation that Hamlet has killed Polonius is extremely telling. Rather than considering that Gertrude might had been in risk, he immediately remarks that had he been in the room, he would had been in risk. Hamlet should be sent away from Denmark, he thinks, no longer as punishment for committing murder but because he represents a danger to Claudius. And as soon as he hears of the homicide, Claudius's mind begins operating to have the option to characterize the killing so that it does no longer look like a political disaster to his courtroom and to the folk of Denmark. To do that, he says, would require all his "majesty and talent" (IV.i.30). In this scene and the scenes to observe, Shakespeare creates in Claudius a convincing depiction of a conniving, formidable politician. In this way, Claudius emerges as a figure of robust distinction to the more forthright males in the play, together with Laertes, Fortinbras, and Horatio, and the far more morally aware Prince Hamlet.

Hamlet's murder of Polonius on the finish of Act III is one of probably the most hectic moments in the play. If it was previously possible to consider Hamlet a "hero" or an idealized model of a human being, it is not imaginable after he kills Polonius. His delicate, reflective nature—the trait that continuously interfered with his skill to take revenge on Claudius—now disappears in the wake of its violent opposite: a rash, murderous explosion of activity. Hamlet leaps to the conclusion that Claudius is behind the arras, or else he simply lashes out thoughtlessly. In any case, Hamlet's moral superiority to Claudius is now thrown into question. He has killed Polonius just as Claudius killed Hamlet's father, the one differences being that Hamlet's murder used to be no longer premeditated and used to be now not dedicated out of jealousy or ambition. Hamlet additionally eases his conscience with the truth that Polonius was dishonestly spying on Hamlet at the present time when he was killed. But the outcome of Hamlet's deed is very similar to that of Claudius's: Laertes and Ophelia have lost a father, simply as Hamlet himself did.

Now, Hamlet hides the frame. But fairly than being overwhelmed with contrition, as we may expect of a hero who has committed any such terrible mistake, he turns out manic, desperate, and self-righteous, especially in his condemnation of Rosencrantz and Guildenstern. Throughout Act IV, scene ii, as in the play-within-a-play scene (Act III, scene ii), Hamlet's biting, ironic wit is mixed with his rash, impulsive streak, and his feigned insanity seems very on the subject of the true thing. Though Hamlet has many admirable qualities, scenes such as this one serve as powerful reminders that we are not intended to take the prince as an unqualified hero.